Thursday, April 21, 2016

in-between spaces


quotes from the location of culture by homi k bhabha

“a boundary is not that at which something stops but, as the greeks recognized, the boundary is that from which something begins its presencing” -martin heidegger, 'building, dwelling, thinking'

“the move away from the singularities of 'class' or 'gender' as primary conceptual and organizational categories has resulted in an awareness of the subject positions – of race, gender, generation, institutional location, geopolitical locale, sexual orientation – that inhabit any claim to identity in the modern world. What is theoretically innovative, and politically crucial, is the need to think beyond narratives of originary and initial subjectivities and to focus on those moments or processes that are produced in the articulation of cultural differences. These 'in-between' spaces provide the terrain for elaborating strategies of selfhood – singular or communal – that initiate new signs of identity, and innovative sites of collaboration, and contestation, in the act of defining the idea of society itself.”

“i wanted to make shapes or set up situations that are kind of open... my work has a lot to do with a kind of fluidity, a movement back and forth, not making a claim to any specific or essential way of being.” - renee green /also: “it's still a struggle for power between various groups within ethnic groups about what's being said and who's saying what, who's representing who? What is a community anyway? What is a black community? What is a latino community? I have trouble with thinking of all these things as monolithic fixed categories.”

“how are subjects formed 'in-between', or in excess of, the sum of the 'parts' of difference (usually intoned as race/class/gender, etc)? How do strategies of representation or empowerment come to be formulated in the competing claims of communities where, despite shared histories of deprivation and discrimination, the exchange of values, meanings and priorities may not always be collaborative and dialogical, but may be profoundly antagonistic, conflictual and even incommensurable?”

“the real world appears in the image as it were between parentheses” -emmanuel levinas

“the lesson aila teaches requires a movement away from a world conceived in binary terms, away from a notion of the people's aspirations sketched in simple black and white. It also requires a shift of attention from the political as a pedagogical, ideological practice to politics as the stressed necessity of everyday life – politics as a performativity. Aila leads us to the unhomely world where, gordimer writes, the banalities are enacted – the fuss over births, marriages, family affairs with their survival rituals of food and clothing. But it is precisely in these banalities that the unhomely stirs, as the violence of a racialized society falls most enduringly on the details of life: where you can sit, or not; how you can live, or not; what you can learn, or not; who you can love, or not. Between the banal act of freedom and its historic denial rises the silence.”

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