excerpts from "whereas" by layli long soldier
WHEREAS a friend senses what she calls cultural emptiness in a poet's work and after a read-
ing she feels bad for feeling bad for the poet she admits. i want to respond the same could be
said for me, some sticky current of Indian emptiness. i feel it not just in my poems but when
i'm on drives, in conversations, or as i lie down to sleep but since this dialogue is about writing
i want to be correct with my languageness. in a note following the entry for Indian an oxford
dictionary warns: do not use Indian or Red Indian to talk about American native peoples, as these
terms are now outdated; use American Indian instead. so i explain perhaps the same could be
said for my work some burden of American Indian emptiness in my poems how American
Indian emptiness surfaces not just on the page but often on drives, in conversations, or when i
lie down to sleep. but the term American Indian parts our conversation like a hollow bloated
boat that is not ours that neither my friend nor i want to board, knowing it will never take us
anywhere but to rot. if the language of race is ever truly attached to emptiness whatever it is
i feel now has me in the hull, head knees feet curled, i dare say, to fetal position --- but better
stated as the form i resort to inside the jaws of a reference;
.
.
.
WHEREAS my eyes land on the shoreline of "the arrival of Europeans in North America
opened a new chapter in the history of Native Peoples." because in others, i hate the act
of laughing when hurt injured or in cases of danger. that bitter hiding. my daughter picks up
new habits from friends. she'd been running, tripped, slid on knees and palms onto asphalt.
they carried her into the kitchen, she just fell, she's bleeding! deep red streams
down her arms and legs, trails on white tile. i looked at her face. a smile
quivered her. a laugh, a nervous. doing as her friends do, she braved new behavior, feigned
a grin --- i couldn't name it but i could spot it. stop, my girl. if you're hurting, cry.
like that. she let it out, a flood from living room to bathroom. then a soft water pour
i washed carefully light touch clean cotton to bandage. i faced her i reminded,
in our home in our family we are ourselves, real feelings. be true. yet i'm serious
when i say i laugh reading the phrase, "opened a new chapter." i can't help my body.
i shake. the realization that it took this phrase to show. my daughter's quiver isn't new ---
but a deep practice very old she's watching me;
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