Sunday, December 3, 2017

awkardly

excerpt from jack, or the submission, play by eugene ionesco

[they put their arms around each other very awkwardly, jack kisses the noses of roberta II, one after the other, while father jack, mother jack, jacqueline, the grandparents, father robert, and mother robert enter without saying a word, one after the other, waddling along, in a sort of ridiculous dance, embarassing, in a vague circle, around jack and roberta II who remain at stage center, awkwardly enlaced. father robert silently and slowly strikes his hands together. mother robert, her arms clasped behind her neck, makes pirouettes, smiling stupidly. mother jack, with an expressionless face, shakes her shoulders in a grotesque fashion. father jack pulls up his pants and walks on his heels. jacqueline nods her head, then they continue to dance, squatting down, while jack and roberta II squat down too, and remain motionless. the grandparents turn around, idiotically, looking at each other, and smiling; then they squat down in their turn. all this must produce in the audience a feeling of embarrassment, awkwardness, and shame. the darkness increases. on stage, the actors utter vague miaows while turning around, bizarre moans, croakings. the darkness increases. we can still see the jacks and roberts crawling on the stage. we hear their animal noises, then we don't see them any more. we hear only their moans, their sighs, then all fades away, all is extinguished. again, a gray light comes on. all the characters have disappeared, except roberta, who is lying down, or rather squatting down, buried beneath her gown. we see only her pale face, with its three noses quivering, and her nine fingers moving like snakes.]

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