from syria burning by charles glass
"syria's war is anything its fighters want it to be. it is a class war of the suburban proletariat against a state army financed by the bourgeoisie. it is a sectarian war in which the sunni arab majority is fighting to displace an alawi ruling class. it is a holy war of sunni muslims against all manifestations of shiism, especially the alawite variety. the social understandings on which aleppo prided itself are unraveling. muslim fundamentalists have targeted christian churches and shiite mosques. arabs have fought kurds. iraqi shiites and sunnis have crossed the border to fight each other in syria."
Tuesday, February 13, 2018
Friday, February 2, 2018
a window
from because she never asked by enrique vila-matas
"when i described how the relationship between sophie and me had taken on the structure of a love story (the jealousy of one person not knowing what the other was thinking, which is really what lover's jealousy has always been about: not knowing what the other is thinking; read proust to understand it better), sergi preferred not to wax transcendent and instead mentioned a french song called 'les histoires d'amour', sung by the rita mitsouko duo."
"he said: 'i used to paint, but nobody seemed to care about what i did. so i got fed up one day and asked myself why i painted, and more importantly, why did it matter to me if anyone cared? so, guess what i did. i retired. and then i went on painting, as if nothing had happened, but only in my imagination. take this window, for example. to me it's a still life. there's a dead crow in it. i don't think you can see it. there are days when nothing exists outside the world of my imagination. i give you my word as a retired artist.'"
"when i described how the relationship between sophie and me had taken on the structure of a love story (the jealousy of one person not knowing what the other was thinking, which is really what lover's jealousy has always been about: not knowing what the other is thinking; read proust to understand it better), sergi preferred not to wax transcendent and instead mentioned a french song called 'les histoires d'amour', sung by the rita mitsouko duo."
"he said: 'i used to paint, but nobody seemed to care about what i did. so i got fed up one day and asked myself why i painted, and more importantly, why did it matter to me if anyone cared? so, guess what i did. i retired. and then i went on painting, as if nothing had happened, but only in my imagination. take this window, for example. to me it's a still life. there's a dead crow in it. i don't think you can see it. there are days when nothing exists outside the world of my imagination. i give you my word as a retired artist.'"
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